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Love and War: The Weaponized Woman

 

Issey Miyake, molded plastic red bustier, 1983, Japan, gift of Krizia Co.

 

 

 

Issey Miyake

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Love and War: The Weaponized Woman
September 9 - December 16, 2006

The concept of the “hard body” is central to the exhibition, both because hardness is associated with strength and power, and because the relationship between body and clothes has changed dramatically in recent years. Today, both men and women seek to achieve strong, attractive bodies that are at least partially exposed by modern clothing. This red bustier in the form of a naked female torso is a tribute to these new attitudes. Created in 1983, when bodybuilding first became widely popular, it is the brainchild of avant-garde Japanese designer Issey Miyake.

Love & War also includes a number of other examples of “hard body” fashions, such as Hussein Chalayan’s beige molded fiberglass dress with metal closures. Certain fashions made of leather also send the message of the hard (powerful, androgynous) body, while contemporary corset fashions (in leather, metal, fiberglass, and canvas) emphasize a hard, erect, clearly female body.

 

All photographs by Irving Solero, courtesy of the Museum at FIT, unless otherwise noted.

The exhibition is organized by Dr. Valerie Steele, director and chief curator; Patricia Mears, research curator; Fred Dennis, associate curator of costume; and Clare Sauro. assistant curator of accessories. It is made possible in part through the generosity of The Coby Foundation, Ltd., New York. 

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