Haute
couture, the luxury industry par excellence, emerged during the
era of high capitalism in the 19th century. Great couturiers,
such as Charles Frederick Worth, became recognized as “artists
of luxury.” They also began to transform dressmaking from a
small-scale craft to an international business. Mass-produced
imitations of fashionable luxury items proliferated, as
middle-class consumers emulated the buying habits of the newly
rich. Women’s dress, in particular, became more ostentatious,
leading Thorstein Veblen to coin the immortal phrase
“conspicuous consumption.”
Class distinctions were central to the phenomenon of luxury, but
the feminization of luxury also became an issue. Wealthy men
dressed their wives and mistresses lavishly, while adopting for
themselves a relatively austere style. In the early 20th
century, women also began to acquire a taste for elegant
simplicity. The couturier Paul Poiret notoriously accused Coco
Chanel of creating “poverty de luxe,” but her less-is-more
design philosophy was in line with a wider movement toward
modernism.
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This exhibition was organized by Dr. Valerie Steele, Tamsen
Schwartzman, and Fred Dennis, with assistance from Clare Sauro, Harumi Hotta, and
Lynn Weidner, and with special thanks to Julian Clark. It has been made possible thanks to the generosity of
the members of the Couture Council.
Website designed by Tamsen Schwartzman. |
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