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Dressmaking & Tailoring: The Hybrid


For more than a century, haute couture houses divided their workrooms into two main areas

in order to keep dressmaking and tailoring distinct from one another. Americans, lacking so

structured a system, were foremost in blurring the lines between the two disciplines as they

began to meld together elements of both in the creation of a single, hybrid garment.


 

 

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Pauline Trigère was a pioneer of the hybrid. Her cream-colored

evening coat has tailored elements, such as fitted, set-in sleeves;

however, the body of the coat is draped entirely on the bias, or

oblique angle, a challenging dressmaking technique. Trigère

deftly inserted vertical fit seams against the bias, but

simultaneously highlighted it by insetting perfectly rendered

buttonholes that lie along the grain.

 

Turner, McCardell, Valentina