These “granny” boots
are a high fashion version of counterculture style, which
embraced disparate elements of non-Western dress. The paisley
pattern, traditionally associated with India, has in these boots
been modernized with the artificially bright colors of the late
1960s and early 1970s.
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Tony the Shoemaker,
“Granny” boots, printed rayon challis with gold-tone metal,
c.1970, USA, 97.60.40, gift of Herbert and Beth Levinephotograph by
Irving Solero.
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